FORT CAMPBELL HIGH SCHOOL

MUSIC APPRECIATION

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Renaissance Period. 

1.  You have been assigned a paper/project about the Renaissance Period that is due November 18 or 19 (blue day/gray day).  See the assignment below.

 

2.  The second assignment is a paper/project on a composer.  You will choose your composer from the supplied list (see assignment area below).  Each student will have a different composer.

 

3. When we return from Thanksgiving you will begin your final project - a paper/powerpoint presentation on a musician/group of your choice.   You will have four classes to work on the project.  It will be presented at your last regular class meeting (blue - December 11 and gray - December 14).

 

 

TESTS WILL HAVE A MULTIPLIER OF 2 THIS QUARTER.

 

NOTEBOOK ORDER: as of October 23

ITALICS = work to do in current chapter

 

 

MUSIC APPRECIATION

COURSE SYLLABUS

FALL 2009

 

Instructor: Mr. Don Hofe                       

Location:  Room 37

 

Course Overview

 

This introductory class to music assumes little prior knowledge, and exists to help you become an active listener and consumer of music.  You will be exposed to music of many places, times, and cultures.   This class seeks to help you approach new or unfamiliar music with an open mind and understand how music works.  It is hoped that you will discover the connections among music, the other arts, culture, and history, and develop your discussion, writing and thinking skills.

 

Expectations

 

You must:

  1. BE PREPARED
    1. Be in class on time.  This means be in your proper seat, with materials, ready and eager to learn.
    2. If you are absent, it is YOUR responsibility to work with me to make up the work.
    3. No planner = no pass anywhere.
  2. SHOW RESPECT
    1. Treat others with understanding, respect, and courtesy; care for books, equipment and the room.  GUM, food or drink are not permitted in this room.
    2. Do nothing that interferes with another’s right to learn or teach.
    3. Know when speaking without being called on is and is not appropriate.  Speaking without being recognized while we are listening to music, during a quiz/test, or while the teacher is speaking disrupts the learning process for the entire class and is always unacceptable.

 

  1. LISTEN ACTIVELY:
    1. Be attentive:  listen, don’t just hear.  Real listening requires concentration without distraction.  Talking is never part of listening.

 

Living up to these expectations means we will be able to do more rewarding and challenging activities, enjoy ourselves more, and be able to have some choice regarding the ways in which we learn the material.

 

In return, you should expect me to:

  1. Be prepared for class, do my best to make class interesting, teach and be willing to help.
  2. Treat you: as an individual, with respect, care and understanding.
  3. Do my best to be consistent and fair.
  4. Really listen to you, and keep an open mind, even if we ultimately do not agree.
  5. Provide an orderly, structured environment
  6. Help you grow as a person and as a consumer of music.

 

Violation of classroom expectations leads to using the FCHS Progressive Discipline Policy.  If you receive a consequence and fell you have been unjustly accused, we can discuss this privately.  I will NOT debate the matter with you in front of your peers.  Anyone whose behavior constitutes a danger to him/herself or others, or who speaks in a defiant or abusive manner will be dealt with immediately.

 

Required Materials

 

  1. Textbook
  2. Three ring binder dedicated to this class (may be collected and graded at anytime)
  3. Handouts and other resources provided by instructor are to be kept in student’s three ring binder.
  4. Pen/pencil
  5. Headphones for individual listening

 

Assessment

 

Your grade is based on the following:

              Class participation (40%)

    1. Your ACTIVE participation in class discussions and other activities.
    2. Your ATTENTIVENESS to lectures, presentations, videos and recordings being played.
    3. Your hard work, thought, and creativity in class.

              Homework (20%)

    1. Readings, worksheets, writing assignments, and other work assigned
    2. Notebook grades

              Projects (20%)

 

              Tests (20%)

    1. Tests/quizzes
    2. Attendance at one classical concert and submission of a written review.

  

 Contact Information

 

 

Phone messages:       931.431.5056, ext 5600

Email:                               don.hofe@am.dodea.edu

Webpage:                      http://www.am.dodea.edu/campbell/CampbellHS/

 

 

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MUSIC APPRECIATION

COURSE SYLLABUS

FALL 2009

 

 

I have read and understand the expectations/requirements for Music Appreciation class.

 

 

(Signed) _______________________

                            Student

 

(Signed) _______________________

                            Parent/Guardian

 

 

 

 

 

 

 

 

Announcements

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

Assignments

 

 

RENAISSANCE PERIOD

 

Study Guide – Classwork/Homework

 

DUE:  November 18 (blue) or November 19 (gray)

 

 

        1. Define Renaissance
        2. Where did the Renaissance begin?
        3. What is Secularism?
        4. What is Humanism?
        5. Who are some of the Geniuses of the Renaissance?
        6. What are Motets?
        7. What are Madrigals?
        8. Discuss Instrumental music of the era

 

Who questions mean be able to write about the composer, where he/she is from, why is he/she important, what did he/she compose, etc.

 

        1. Who was Leonardo?
        2. Who was Michelangelo?
        3. Who was Raphael?
        4. Who was Machiavelli?
        5. Who was Michael Praetorius?
        6. Who was Dante?
        7. Who was Cervantes?
        8. What was the Burgundian Court?
        9. Who was Magellan?
        10. Who was Christopher Columbus?
        11. Who was Martin Luther?
        12. Who was Queen Elizabeth?
        13. What is Word painting?
        14. Discuss Sacred music in the Renaissance
        15. Discuss Secular music in the Renaissance
        16. What is Counterpoint?
        17. Name the Visual arts of the Renaissance
        18. Discuss Harmony and polyphony of the Renaissance
        19. What is the Reformation?
        20. What is the Counter-Reformation?
        21. Why is the invention of Printing important to music?
        22. What is Cantus firmus?
        23. What is a Virelai?
        24. Franco-Flemish composers: the court of Burgundy
        25. Who is Dufay?
        26. Who is Binchois?
        27. Who is Ockeghem?
        28. Who is Josquin Desprez?
        29. Who is Janequin?
        30. Who is Orlande de Lassus?
        31. Who is Giovanni Pierluigi da Palestrina?
        32. Who is the Andrea Gabrieli?
        33. Who is Giovanni Gabrieli?
        34. Who is Carlo Gesualdo?
        35. Who is Tomas Luis de Victoria?
        36. Who was Orlando di Lasso?
        37. Who was William Byrd?
        38. Who was Thomas Morley?
        39. Who was Thomas Weelkes?
        40. Who was John Dowland?
        41. Discuss Ensemble music of the Renaissance
        42. Discuss Keyboard music of the Renaissance
        43. Discuss Lute music of the Renaissance

 

 

 

 


 COMPOSER REPORT

  1. Three page report.  Arial, 14 pt, 1.5 line spacing.
  2. Due at the first class meeting after Thanksgiving.
  3. Choose one composer. 
  4. Heading no bigger than three lines to include your first and last name, block and composer’s name.
  5.  Page 4 will be your bibliography.

 

 

DO NOT COPY & PASTE

 

DO NOT USE WIKEPEDIA

 

 

Ex.      DONALD HOFE

           BLOCK 2

           RICHARD WAGNER

 

 

 


  • Bach, Johann Sebastian (1685-1750)
  • Bartok, Bela (1881-1945)
  • Beethoven, Ludwig Van (1770-1827)
  • Bernstein, Leonard (1918-1990)
  • Brahms, Johannes (1833-1897)
  • Britten, Benjamin (1913-1976)
  • Byrd, William (1543-1623)
  • Chopin, Frederic (1810-1901)
  • Copland, Aaron (1900-1990)
  • Corelli, Archangelo (1653-1713)
  • Machaut, Guillaume de (1300-1377)
  • Vitry, Phillipe de (1291-1361)
  • Debussy, Claude (1862 – 1918)
  • Desprez, Josquin (1440-1521)
  • Dufay, Guillaume (1400-1474)
  • Gabrielli, Giovanni (1554-1612)
  • Gershwin, George (1898-1937)
  • Gibbons, Orlando (1583-1625)
  • Gluck, Christoph Willibald (1714-1787)
  • Handel, Georg Friedrich (1685-1759)
  • Haydn, Franz Joseph (1732-1809)
  • Ives, Charles (1874-1954)
  • Mendelssohn-Bartholdy, Felix (1809-1847)
  • Monteverdi , Claudio (1567-1643)
  • Mozart, Wolfgang Amadeus (1756-1791)
  • Ockeghem, Johannes (1410-1497)
  • Palestrina, Giovanni (1525-1594)
  • Puccini, Giacomo (1858-1924)
  • Purcell, Henry 1659-1695
  • Rameau, Jean-Philippe (1683-1764)
  • Schubert, Franz (1797-1828)
  • Stravinsky, Igor (1882-1971)
  • Tchaikovsky, Peter Ilyich (1840-1893)
  • Vaughn Williams, Ralph (1872-1958)
  • Verdi, Guiseppi (1813-1901)
  • Vivaldi, Antonio (1680-1743)
  • Wagner, Richard (1813 - 1883)

 

 

 

 

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